Altrata

The right people, connected

Gathered disconnected data into one platform for knowing who to sell to, work with, or invest in.

The context

Five companies, one new platform

Altrata formed from a merger of five data companies, unifying into one product: Project Euler, a people intelligence platform. Supercharge ran the 9-month Discovery and Design phase, figuring out what the MVP should be, then designing it.

Client: Altrata, via Supercharge

Role: UI Designer

Scope: Interface Design, Design System

Duration: 9 months

Alison Ford profile page on a laptop

Project Euler: one profile, and behind it everything five companies knew about a person.

The problem

Everything existed, nothing connected

Everything needed to connect the right people (who to sell to, who to work with, who to invest in) existed, just scattered across five legacy platforms instead of one place.

The goal

Whole, not stitched together

Design an MVP that puts all that scattered intelligence into one coherent interface, dense with data but digestible enough to act on, and intuitive enough to use without a second thought.

Wireframes for individual profile, org profile, and lists

Where I picked it up: the wireframes from the product strategist. Everything below this point is what happened after.

My part

I worked with a PM and a product strategist, who turned the research into wireframes, and I continued from there with the UI.

As the UI designer, I turned the grey wireframes into live UI: real layouts, real components, and content placed so that all that density stays digestible. I also built the design system that came with it.

The challenge

The real brief, underneath everything: the amount of information was enormous. Executives, companies, networks, wealth data, donations, news. Every screen was a negotiation between content and air, and the user should never feel the weight.

The final product

Alison Ford individual profile page, full scroll

Individual profile

Databyte company profile page

Company profile

Altrata home dashboard with news feed and what's new panel

Home

Advanced search screen with filters

Search

EMEA Tech CIOs list view

Lists

The main surfaces of the MVP

Alison Ford individual profile page on mobileSearch screen on mobileSearch results screen on mobile

Some of the mobile screens

The decisions

Why these choices

Everything in thirds

People were juggling tabs to research one person. I split the screen into thirds: your last step on the left, your focus on the right, so the interface held onto where you'd been.

The densest screen, tamed by testing

The individual page (Alison Ford): everything about one person, one screen. Testing showed people needed the full picture at a glance, so widgets group data tightly enough to read as one thing.

Given colors, built a system

The brand gave three colors and no usable palette. I built out shades of each, so pink, mint, and navy could each work as a button, a tint, or a quiet supporting state.

The system

Everything in thirds

One rule, many layouts: the left third holds search or your last step, the right two-thirds holds whatever you're focused on. The same split reuses across devices, which is why a hundred screens feel like one product.

Diagram of the three-column layout across four states, stacked vertically

Anatomy of widgets

Every widget shares one skeleton: title top left, filters top right, primary content before secondary. Learn one widget and you've learned the whole page. That's what kept ten kinds of data readable at a glance.

Annotated widget anatomy showing filters, sliders, and panel labels

Tags describe, chips filter

Tags describe the content, chips filter it. One strict distinction, kept everywhere, so people can cut through an enormous database and always know what they're looking at.

Examples of tags and filter chips across cards and search results

Color theory

Bold color, used deliberately: dark blue, mint and white carry the large surfaces; pink is the loud one, for moments that need attention.

Pink means action, its pastel marking what's touched. Mint stays supporting, its pastel covering bigger areas.

Altrata color palette and component examples in pink and mint

Main structure & Content blocks

Grid & Gutters

Content sits in panels with 16px gutters and 8px gaps: enough air to breathe, tight enough to stay dense.

Spaces

Everything snaps to a 4 and 8 point rhythm. When spacing is a rule instead of a feeling, a hundred screens space themselves.

Grid and spacing annotations over the profile and search screens

Shape language

Rectangles with a 4px radius, everywhere: data wants order. The one soft shape is the fully rounded button, so anything clickable announces itself before color even has to.

Rounded rectangle and button shape annotations

Outcome

Handed over, and it kept going

The Discovery and Design phase wrapped after 9 months: the MVP screens, the design system, and a North Star roadmap for where the platform could grow. I know the project continued for a while after I moved to a different company, but beyond that, I can't speak to what eventually shipped. Still, that says something on its own: what we built held up well enough for someone else to keep building on it without me in the room.

What it taught me

The design was in the rules

Writing guidelines changes how you design: every decision has to survive being explained. And with data-heavy products, the design isn't really in the screens. It's in the rules that keep a hundred screens coherent. Funny enough, my next big project asked for the exact reverse: stepping into someone else's rules without leaving a trace. That's the MOL story, one click away.